Tag Archive: Toads

  1. Pux et Victorious

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    Last Saturday, for the first time in Yale hockey history, the Bulldogs defeated Quinnipiac 4–0 to win the NCAA Division I men’s hockey championship. But you already knew that. This week, WEEKEND brings you what you don’t already know. What were the players thinking moments after the final buzzer rang? If it took Yale this long to win, then what were we doing for the past 120 years? Three hockey players offer the details on what this momentous victory means; a Yale history professor gives us a crash course in Yale hockey history; a devoted hockey fan tells us about the Pittsburgh viewing experience; and for the first time in the News’ history, a Quinnipiac student offers his take on the Yale-Quinnipiac rivalry. Take a moment and read their words — because this is what it feels like to go to a school that’s good at sports.

    ***

    #winning

    By the Yale Men’s Hockey Team

    // NICHOLAS MARICIC ’13 (Goalie)

    It took years of clawing, scratching, pushing and pulling to get to the door. With each tournament appearance, we knocked a little louder: a soft rasp in ’09, a respectable thud in ’10 and an almost impossible-to-ignore bang in ’11. What happened in ’13 was different, more akin to quietly walking up, pulling that oh-so-heavy door of national acceptance off its hinges and casually tossing it aside. It is now undeniable — Yale has arrived. The club of Division I hockey national champions is an exclusive one, with Yale now being only its 19th member. For the Yale hockey program and its fans, this is a long-awaited moment to savor.

    For us players, the experience has been surreal, and perhaps a little overwhelming. Skating around the ice after the final buzzer, it was hard not to think of the people who made this all possible. For Yale, our families, our coaches both past and present, friends, teachers, classmates and suitemates, we couldn’t have done it without you. More than anything else, this experience has made us cognizant of just how fortunate we are. For all of us, this championship is the culmination of a journey 10, 11 or 12 years in the making.

    Hockey isn’t a sport you can casually pick up in high school — it’s a lifestyle that consumes you before your age reaches double digits. To feed the obsession, you need enablers. This championship was for our parents, who selflessly gave up vacations, birthdays and anniversaries without a complaint just to make sure we got to pee-wee practice at those ungodly hours. It was for the coaches of past and present, who saw our potential as both players and people and gave up thousands upon thousands of hours to make sure we didn’t squander it. It is for the teachers, whose flexibility and understanding make it possible for us to succeed both academically and athletically; you don’t know how much that paper extension after a long road trip means to us. It’s for the friends and suitemates who support us inside and outside of Ingalls. We might feign a stoicism when we are on the ice, but rest assured we see you up there breaking it down in the student section, and we love it. Your support outside of the rink is just as important; talking to us about everything except the rough game last night provides an outlet for us that, though we might not verbalize it, we appreciate. Finally, Yale, after an incredible four years, this is for you. A certain coach, smiling what I can honestly say might have been the first grin I’ve seen in four years, said it best after a certain big game on Saturday: “You’ve already given us more than it would ever be possible to give back to you”.

    // CHARLES ORZETTI ’16 (Left-winger)

    First and foremost, I feel blessed to have had the opportunity to play with my team this year and accomplish what we did. Most college hockey players go through four years without making the tournament, and my class was fortunate enough to win the whole thing in our first year. It is surreal, and we’re still in celebration mode; I suspect once everything settles down, it will sink in. I remember skating around after the win in disbelief. Every team says winning the championship is its goal, but we had actually done it. I was struggling to come up with words for an interview to describe the feeling, and I still am. Being able to celebrate with my mom, dad, brother and sister after the game made winning even more special. I will never forget that night.

    Playing for this University and having the entire school behind us was an unbelievable feeling. I’m proud of the boys, coaches, staff and what we were able to accomplish. Hockey is the ultimate team sport, and we have a special group of guys who play for each other. The senior leadership was unbelievable, and I truly believe that Andrew Miller ’13, Josh Balch ’13, Antoine Laganiere ’13, Colin Dueck ’13, Jeff Malcolm ’13 and Nick Maricic ’13 creating winning expectations was the biggest factor in our success. When a reporter asked about the team after our win, I told him it was the mentally toughest group with which I’ve ever played. That’s a tribute to the seniors, and I think it’s the main reason we were able to handle a lot of adversity during the season and in the tournament. I’m glad they are graduating as champions — I cannot think of a better way to send off such a great group.

    As for the future of Yale hockey, I’m already excited for next season. The bar has been set regarding expectations, and after experiencing this ride, I know everyone will want it again even more. Since college hockey crowned its first winner in 1948, there have been eight repeat national champions. Next year, we’d love nothing more than to be the ninth.

    // ROBERT O’GARA ’16 (Defense)

    I still do not think what we accomplished last weekend has completely sank in. I think Nick Maricic ’13 put it best in his speech during the celebration at the rink, when he said it feels like a dream still, and he doesn’t want to wake up and have it end. As a kid you dream about winning championships like this one, and to actually accomplish that goal and win that championship feels nothing short of incredible. To win that game with this group of guys, incredible coaching staff and my parents in the stands is something I will remember for the rest of my life and for which I could never describe my true gratitude. I feel beyond lucky and honored to have played with each and every one of those guys out on that ice Saturday night. Everyone stuck to the plan, and with the leadership of our seniors, who are already about to be doing big things in hockey in different sweaters, we were able to persevere. This is quite obviously the greatest victory of my hockey career, and I have my teammates and coaches to thank for that. It really is difficult to describe my emotions, but to say I am still on cloud nine would be an understatement.

    In terms of what this win means for the future of Yale hockey, I hope that it makes everyone here even hungrier to win it all again. That feeling was one like no other, and to say “I want it again” would be severely underexaggerating my desire to have our hockey team back on top once again: I am already looking forward to next season to hopefully do it all again, and that’s what our focus will be. We now have a large group of guys who know what it takes to win at that stage, and I think that alone will really help our program in the coming years. I am so excited at where we can go in my next three years here at Yale, and once again want to express my appreciation for going through this unbelievable experience as a freshman.

    A quick shoutout again to our awesome senior class who really deserved to go out this way — a great group of guys. Also Gus Young ’14, my defense partner, will appreciate a shoutout if he reads this — I can’t wait to play with him again next year. And finally the freshman class — the best class dynamic in the NCAA. Thanks.

    ***

    A Look Back Into Yale’s Hockey History

    By Professor Jay Gitlin ’71 MUS ’74 GRD ’02

    First — best sign ever: Pux et Veritas. Second — congratulations to head coach Keith Allain ’80 and the NATIONAL CHAMPIONS: Yale men’s hockey team. I like the sound of that. Thanks guys. We’re very proud of you. And nod to Max de La Bruyère ’13, Alberta is in the house.

    All of this may be a surprise to some, but it shouldn’t be. The Yale men’s ice hockey team is the oldest existing intercollegiate ice hockey program in the United States, dating back to 1893. The team had its ups and downs, and even won the Hobey Baker Award in the 1934–’35 season, but the modern era began in 1938 when the University hired former New York Rangers player Murray Murdoch to be the team’s head coach. Murdoch, born in Ontario and raised in Alberta, played over a decade for the Rangers. He coached the Yale team until 1965, received the Lester Patrick Trophy for his contributions to U.S. hockey in 1974 and died at the age of 96 in 2001. Murdoch, known as the “Iron Man” for never having missed a game in 11 seasons with the Rangers, came to Yale at the suggestion of John Reed Kilpatrick 1911, an All-American football player in 1909 and 1910. Kilpatrick became the president of Madison Square Garden and the New York Rangers in 1933. How’s that for “life after Yale”? I knew Kilpatrick’s daughter, Frannie Field, a wonderful person who had the best stories ever, having literally grown up in Madison Square Garden. She would tell us about meeting Will Rogers, Walter Chrysler, rodeo stars and hockey players.

    As for me, I developed a fascination for hockey as a young kid in the late 1950s. I couldn’t stand up on skates, but I loved the game. Channel-surfing for something to watch — well, it wasn’t exactly channel-surfing then since these were the pre-cable and pre-remote days and you had to get up and turn the dial on the set — I found such marvels as the New York Tuck Tapers of the National Industrial Basketball League and then, hockey: the Rangers. (I patiently explained hockey to my dad — blue lines, cross-checking, etc. He loved all sports and had been a boxer, a runner and a big baseball fan.) The Rangers didn’t have a great team. The Montreal Canadiens with Maurice “Rocket” Richard and his younger brother Henri, the “Pocket Rocket,” and later, the incomparable Guy Lafleur, always seemed to dominate the NHL. But the Rangers had their great players, Camille “the Eel” Henry and Andy Bathgate. My favorites were Rod Gilbert and Jean Ratelle. I got to meet Gilbert when I played the piano at the New Haven Coliseum at a reception for the New Haven Nighthawks, the Rangers’ AHL affiliate, back in the 1970s.

    So I was already a hockey fan when I arrived at Yale in the late ’60s and discovered that hockey was a big deal in the Ivies and in prep schools all over New England. At Yale, however, hockey also became my window into Canada in the form of Duane D. Drager ’71 — “Spike.” Spike was from Sudbury, Ontario, and lived across the hall my sophomore year in Calhoun. We cheered him on at Ingalls Rink, but perhaps of more lasting importance for me, it was Spike that introduced us to his “home and native land,” Canada. While other rooms sat around listening to the Stones and the Beatles, we listened over and over again to the great songs of Canadian singer-songwriter Gordon Lightfoot. You should check him out. Apparently, Robbie Robertson of The Band (also Canadian) and Bob Dylan were huge Gordon Lightfoot fans. Lightfoot’s biggest hits were “If You Could Read My Mind” (beautiful song) and “The Wreck of the Edmund Fitzgerald.” (Both hit the top 10 in the U.S.) My own favorites are “She Was Something Very Special To Me” and “Canadian Railroad Trilogy.” Thanks Spike — still love these songs.

    Well, many years later, I wound up as a member of the Canadian Studies Committee at Yale, and now I’ve taught Canadian history here for 15 years. Especially in the first years I taught the course, I would always have a few hockey players in class, and I have to share a story about one of them: Nick Deschenes ’03. Nick, a native of Alberta, took my class and wrote an excellent final paper. I was also pleased that he had used this occasion to reconnect with relatives in Québec and brush up on his French. He wrote his history senior essay on a very serious topic, the impact of a cholera epidemic on Québec City in the 1830s. Toward of the end of the semester, he walked into my office in Davenport with the biggest grin ever and announced: “Professor Gitlin, this is the best day of my life. I got an A on my senior essay … and I’ve been drafted by the Philadelphia Flyers.”

    So here’s to Yale Hockey, past and present. Here’s to our 2013 team and to Nick, to Spike, to Roland Betts ’68 and Jeremy Kinney ’68 who played hockey as undergraduates and have been great alumni and supporters of history initiatives such as the Lamar Center, to classmate Bob Ufer ’71, Bob Brooke ’83 and former student Keith McCullough ’99. Drink a toast to Jeff Malcolm ’13 of Lethbridge, Alberta, and Antoine Laganiere ’13 of Ile Cadieux, Québec. It was a long time coming, but worth the wait. Three cheers for Hockey, Canada and Yale. Murray Murdoch is smiling.

    ***

    Don’t Take It For Granted

    By Evan Frondorf ’14

    We may frequently lament the dearth of athletic success here at Yale, but we’re actually pretty spoiled. We’ve seen success that previous Yale classes could only dream about. Yale hockey has never been better, and it’s been good for the better half of the last decade — the team has made the NCAA tournament four times in the last five years. Before that? Just twice in the previous 61 years of the NCAA tournament. Yale’s ice hockey program is the oldest in the United States, but it took 120 years for the Bulldogs to earn the national crown. We’re living through history, folks.

    I was in Pittsburgh for four days to cover the team for WYBC (and Grand Rapids before that), and my biggest takeaway was how special this moment was for fans and former alumni and team members. Sure, I had spent the last couple years covering games in 3,000-person rinks in upstate New York, so I too was starstruck by watching Yale play in an 18,000-seat NHL arena in downtown Pittsburgh. But to me it seemed like a natural progression: Step 1. Cover the regular season games. Step 2. Cover the conference tournament. Step 3. Cover the NCAA tournament. For longtime Yale fans, the New Haven faithful and employees of Yale Athletics, however, the team usually didn’t make it to Step 3 (or even Step 2). There was no payoff, no reward at the end of a grueling regular season. This was a team that went 5–25–2 during the 2004–’05 season, playing at an Ingalls Rink that badly needed a renovation.

    Obviously, going to the Frozen Four for the first time in 61 years — and then winning a national championship — was an event of cathartic delayed gratification that no current student can understand or imagine. The New Haven Register’s Chip Malafronte has covered college hockey in New Haven for more than a decade and never saw a team in the Frozen Four. Suddenly, he had both Yale and Quinnipiac not only advancing to the Frozen Four, but also advancing to the national title game. Meanwhile, this was my first full year primarily covering Yale hockey — it almost felt as if I didn’t deserve it. I made memories I’ll have for the rest of my life, but some people have been waiting for a good part of their life to make these memories.

    But the hockey team’s success is no accident. Yes, Yale was the last at-large team to earn a bid to the tournament. Yes, they were a statistical underdog in each of their four tournament games. Yes, we could call them a Cinderella that made a magical run. Yet this team wouldn’t even have had the chance to compete for championship if it weren’t for the concerted effort of staff and administrators. When Tim Taylor, a hockey coaching legend, stepped down as head coach in 2006 after 28 years at the helm, the Athletics Department and the administration took a step back to re-evaluate the future of the hockey program. Despite strong criticism of his handling of the University’s athletics programs over the years, President Levin was instrumental in the hiring of current head coach Keith Allain ’80, a former star goaltender for the Bulldogs who had first found success as an assistant coach in the NHL. Also credit Athletics Director Tom Beckett for persuading Allain to come to Yale. As Allain said in a postgame press conference after the team earned its bid to the Frozen Four, “I wouldn’t be coaching in college hockey if it wasn’t for the Yale job.” Step 1: Hire a Yale alumnus renowned in the hockey world, who knows and understands the University’s unique relationship with athletics, to coach the ailing hockey program.

    Next came a $23 million renovation of the beautiful Ingalls Rink, completed in 2010, just as the school made its second straight NCAA tournament. The renovated facility was essential to establishing Yale as a top-notch hockey school. Just as the program’s stature was rising, fans returned to Ingalls. Step 2: Put millions of dollars into restoring Ingalls Rink to its rightful place as the coolest venue in college hockey.

    Finally, Yale needed to recruit players that met the school’s academic standards but were still capable of playing at an elite level. The school faces disadvantages, both those that are properly self-imposed (the academic rigor and lack of athletic scholarships) and those that are an unfortunate result of Yale’s position in the college hockey world. If top NHL prospects even choose to play college hockey, they go to one of the powerhouses — Minnesota, Boston College, North Dakota and so on. For example, Yale had four NHL draft picks on the squad this year; Minnesota had 15. Instead, Allain used what he had and created a system based on recruiting smaller players overlooked by the big schools — smaller players who are often speedy, relentless and have a strong hockey IQ. Bringing it all together under a terrific head coach has led to both team success and accolades for individual players. Step 3: Recruit intelligent players who fit in with Yale’s playing style, instead of developing the team around top recruits. 

    Mix well, and seven years later, the Bulldogs have earned a national championship. But those seven years in the oven were so crucial. Those three steps took time, dedication and a belief that Yale could make waves in the college hockey establishment. And they surely weren’t as clear-cut as my naive “three steps to covering a hockey season” I mentioned earlier. This championship is for the current students and the current team, but in large part, it’s also for the former players, the alumni and the die-hard fans that stuck with Yale hockey through the lean years and the program’s growth. Without each of their contributions, there’s no way this program would be where it is now.

    ***

    Toad’s Rivalry Takes Center Stage

    By Daniel Grosso QU ’13

    After closely following Quinnipiac hockey and attending as many games as my schedule would allow during my four years in college, I could not have dreamed of a better culmination to an incredible season than the championship game on Saturday night.

    I made the trek to Pittsburgh for the Frozen Four, and it was truly an amazing experience. It was incredible to see my small school from Hamden, Conn., recognized on the red carpet. Countless locals tapped me on the shoulder in bars, puzzled as to the pronunciation of the school on my shirt. The hockey team did more than win that night — it gave Quinnipiac national recognition.

    Our hockey team had a storybook season. The Bobcats began the season unranked, an impossible-to-pronounce university nuzzled in the heart of Connecticut, and by the end the team had held the top ranking in the nation since February and was playing for the NCAA Division I men’s ice hockey championship. It was only fitting the final obstacle standing between Quinnipiac and a national title was its rival, a team they beat three times previously in the season, the Yale Bulldogs.

    Although it provided good media fodder, I wanted nothing less than to face the Bulldogs in the championship. It is incredibly difficult to beat one team, harder yet a rival, four times in a single season. Sure enough, Yale was prepared in the fourth go-around and was able to beat Quinnipiac when it mattered most. The Bulldogs seemed to beat Quinnipiac to every puck; they played inspired hockey, defeated the top three teams in the nation and took home the national championship. Yale put together one of the all-time great runs in college hockey.

    The championship loss will sting for quite some time, as only a win on the biggest stage could remedy these feelings, but it adds more history to one of college hockey’s best rivalries. Looking back, as a freshman, there was one game I knew I had to get a ticket for: the Yale game. The atmosphere of a Quinnipiac-Yale game is electric, and it was a thrill to experience at the Frozen Four.

    Seeing the CONSOL Energy Center filled with Connecticut pride is something I will never forget. The game was such a great showing of the quality of hockey our region has to offer. Both student sections were out in full force and ready for some serious competition. Quinnipiac’s section was a sea of gold, while Yale showed plenty of spirit themselves. Students wore all blue, and some painted their chests for the game.

    As has become customary with the rivalry, the sections fought back and forth. Quinnipiac was keen on the “everybody knows Yale blows” chant, a staple for our school at these games. I love the rivalry our two schools have; it is a time we can openly insult Yale without fighting at Toad’s or peeing on buildings. It’s a way to go crazy and have some good jawing back-and-forth without actually harming anyone.

    During my four years at Quinnipiac, the Yale game was always the strongest showing of school spirit. The rivalry unifies the student body and is the biggest event at my school each year. Quinnipiac’s hockey game against Yale is the closest I will ever come to the intensity of a Yale-Harvard football game. It’s circled on everybody’s calendar and is a game guaranteed to sell out.

    Unlike recent incidents in other sports or at other schools, nobody has ever attacked one another at a Quinnipiac-Yale hockey game. To me, this is the rivalry’s best quality. Both schools understand the rivalry is in the name of fun and is more about school spirit and pride than it is anything else.

    While in Pittsburgh, my friends and I ran into some Yale alumni from Ohio in one of the bars. We were decked out in Quinnipiac gold, but they approached us anyway. We talked for a while about college hockey and took some friendly jabs at each other’s schools, but it was always in good fun. By the end of the afternoon, they had bought us shots and we were sitting and drinking as friends. It was fun to see how a college rivalry can bring together people who have never before met. Although we are “enemies,” it was a good conversation starter.

    Although the championship loss will be tough to put behind me, I know the rivalry will only grow more intense. Yale has hardware to hold over our heads, but Quinnipiac will be coming even harder for the years to come. The Toad’s rivalry will continue to grow and will be there for new students to enjoy. Seeing both these programs experience national success only makes me excited for the future. Our two hockey teams showed Minnesota and the rest of the nation how strong the ECAC and Connecticut hockey are.

    We may be rivals, but that does not mean Quinnipiac does not respect a good opponent. My hat goes off to the Yale hockey team; you guys went on an incredible run. It was fun seeing you guys in the championship game, and I can’t wait to be back next year.

    Contact Daniel Grosso at dwgrosso@quinnipiac.edu .

  2. Aaron Carter: pop-star, world traveler, Justin Bieber fan

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    In the late 1990s, Aaron Carter stole our preteen hearts and made his grand entry into the music scene. With his appearances on Disney and Nickelodeon, his classic hairstyle, and the release of hit singles like “How I Beat Shaq” and “I Want Candy,” Aaron captured a fanbase that has remained loyal to this day.

    Starting his music career at the young age of 7, Aaron sang in a local band called Dead End but left two years later to start his pop career. In March 1997 he made his first solo appearance opening for the Backstreet Boys (his brother, Nick Carter, was a member). He soon became the life of the party with the release of his first album “Aaron’s Party” in 2000. The album sold over 1.5 million copies and went platinum later that year.

    Through the early 2000s Aaron released hit after hit and made appearances on both film and television. After appearing on the E! reality series “House of Carters” in 2006, he left the pop-star spotlight to pursue other areas of show biz. Aaron has proven to be a man of many talents, appearing on “Dancing with the Stars” in 2009 and starring in the 2011 Off-Broadway production of “The Fantasticks.”

    Last Wednesday Aaron brought the party back to his fans in New Haven with his “The After Party” tour stop at Toad’s Place. Yale’s 17O1 Records, Yale’s only student-run record label, was lucky enough to get an exclusive backstage interview with him before the show.

    As we entered the room, Aaron and his crew were joking around and getting pumped up to 2 Chainz. However, as soon as he noticed us, Aaron smiled, came over to introduce himself and told his team to quiet down as we began to chat.

    Q. Aaron, we’re really excited to see you perform tonight. Is this your first time in New Haven?

    A. No, I don’t think it is. I can’t remember, to be honest with you. I’ve been to Connecticut quite a few times for some shows. I actually think I’ve been to this venue, I haven’t been able to figure it out yet. I’ll probably remember when I’m onstage. It’s a great place, though, a great venue. It’s got a lot of good vibes.

    Q. A lot of people here have been fans of yours for quite a while, basically since you dropped “Aaron’s Party” in 2000. How do you think you’ve developed as an artist since then?

    A. It’s been a great ride, I’ve developed in a lot of different ways. I’ve been able to get more involved in music and become a producer, and I’ve found different aspects that I really enjoy.

    Q. Do you spend a lot of time producing now?

    A. I do, I spend lots of time producing. But right now I’m just focusing on this tour and keeping myself healthy and, you know, keeping my mind on doing “The After Party” — focusing on this. And focusing on my album and releasing another CD.

    Q. Before this album, your last three have been compilation albums. What’s in store? What can we expect from you now and in the future?

    A. It’s going to take a few years, you know, to get around the world. I’m starting with America, probably will go to Europe and then the Philippines, South America, Southeast Asia, Mexico. … It’s not gonna stop. I’m gonna keep going, and going, and going, and going, everywhere.

    Q. The music industry has changed a lot since 2000 when you first entered the scene. Now people are increasingly listening to dub step and DJs. What are your thoughts on dubstep?

    A. I listen to all kinds of music. I listen to bluegrass, jazz music, dubstep — I listen to all kinds of music, so I respect all kinds of music. When it comes to dubstep it’s not particularly what I’m going to do. I do theme songs, you know? I do theme songs and fun records. It’s not so serious, it’s just fun. That’s what I’m known for, and that’s what I’m gonna stick to doing.

    Q. If we were to look at your iPod right now, what would we see?

    A. I don’t own an iPod, but if you looked at my recent YouTube playlist or something you would see, like, Wiz Khalifa on there, you’d see Drake, Kendrick Lamar, Miguel. You’d see One Direction, Justin Bieber — I listen to all those kids too — Cody Simpson, Austin Mahone. I listen to all that stuff.

    Q. What’s the best way to listen to Aaron Carter — live or recorded?

    A. Probably come to my concert [laughs]. I still sing all my songs in the same keys, I didn’t change them because I have a lower voice or something, it’s not like that.

  3. Aaron seeks party, wife at Toad’s

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    Here’s a little bit of old school for ya: Aaron Carter was at Toad’s on Wednesday night as part of his “The After Party” tour. Though 10 years too late, Carter’s performance still attracted a big crowd of hormonal teenage girls (and about 10 brave boys).

    While the tour name at first appears to be a refreshingly self-aware choice for a ’90s has-been, Carter, 25, performed with such energy and enthusiasm that it seems the aging child star really does want to keep his party going.

    Much of the show paid homage to Carter’s boy-band roots, as he and two male backup dancers performed choreographed dance routines that were reminiscent of the Backstreet Boys, ‘N Sync and Aaron Carter heyday. Carter, a veteran of ABC’s popular reality show “Dancing With the Stars,” was an undeniably good dancer, and sometimes almost an acrobat, swinging from the pipes on the ceiling of Toad’s. High school girls throughout the audience swooned as Carter did a backflip onstage and gyrated towards his screaming admirers in the front row — one particularly enthusiastic fan even held up a sign that said “Kiss Me I’m Finally Legal.”

    For the average Carter fan (meaning someone whose entire knowledge of his musical oeuvre consists of “That’s How I Beat Shaq,” “I Want Candy” and “Aaron’s Party”), most of his set was unfamiliar, newer music. At one point in the show, Carter asked the audience if they wanted to hear new songs, and despite a strong undercurrent of “No!” he bravely charged ahead anyway. His new tracks, “That’s Life” and “City Lights,” were both generic and forgettable pop songs. Carter knew the emotional heart of the show was in his classics, however, saving “I Want Candy” for the final song of his set and making the audience wait for the encore for a lively rendition of “Aaron’s Party.” Because Carter has a strikingly high voice for a man of his age, hearing a 25-year-old sing about getting grounded by his parents was overall less creepy than was expected.

    Now that Carter is all grown up, he isn’t quite as cute as he used to be. He is short and still rocking the ’90s spiked hair, and he wore track pants and a skeezy tank top onstage. Unfortunately, it seems Carter may have peaked at 12.

    Carter seems unaware of this. What really stole the show was his, shall we say, appreciation for the ladies. The crowd was almost entirely female, and Carter spent a good deal of his time onstage winking, showing off his abs, blowing kisses and, in some cases, actually kissing the fawning girls in the audience. After multiple reminders that he is “totally single,” Carter called out, “I swear I’m looking for a wife on this tour and I’m going to find her. Would anyone like to marry me?” This announcement was met with a cheer from the crowd and a girl holding up another sign that said, “The Real After Party is in My Bedroom.” Later in the show, Carter picked a girl from the audience and took her backstage, cryptically telling the audience that he needed a “breather.” You connect the dots.

    Though Carter’s desperate attempts to be a Casanova deserved pity, his commitment to his show demanded begrudging respect. Instead of giving a lazy performance and relying on the popularity of his old songs to win over the audience, Carter attacked each song and dance routine with such vigor that the sheen of sweat on his face was visible from the back of the club. And it is that energy that has made Aaron’s Party keep bumping for over a decade. Come get it.

  4. Aaron Carter, teenage heartthrob, to perform at Toad’s

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    If you’ve been looking for a way to express your inner preteen recently, or if you just want to listen to some classic childhood throwbacks, then head over to Toad’s Place on Feb. 27 for the one-time teenage sensation Aaron Carter.

    Carter, who has not released an album with new songs since 2002, is more recently known for participating in the “Dancing with the Stars” reality television show in 2009, coming in an astounding fifth place. He also starred in the off-Broadway production of “The Fantasticks” in late 2011.

    You may remember Carter for his popular hits “I Want Candy” or “That’s How I Beat Shaq,” both of which were on his most successful album to date, “Aaron’s Party (Come Get It),” which sold over 3 million copies in 2000. Carter also had the fortune of dating both Lindsay Lohan and Hilary Duff, leaving Duff for Lohan at the tender age of 14.

    Many might say that Carter peaked too soon — we Yalies, however, expected Carter to arrive here soon enough. After all, all roads do lead to Toad’s.

  5. The Go-Go's Guide to Life

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    On a Saturday night last fall, Hannah Mogul-Adlin ’13 apprehensively stepped onto a platform in Toad’s Lilly’s Pad. Clad in a sequined tank top and leggings, she danced self-consciously, scanning the room to see who might be watching her. But few eyes even glanced at her. The ones that did only lingered for a moment.

    Moving more confidently, she fell in sync with the music, incorporating moves from her training in hip-hop, Afro-Caribbean and Bhangra dance styles. She earned $25 for each hour of booty popping, and the next day, she was hired as a regular dancer.

    Mogul-Adlin, the first Yale student to be hired, confessed that getting the job was pretty easy.

    “They don’t actually have standards for who they hire,” she said.

    It all began when her friend’s dance group, Rhythmic Blue, received an email advertising the gig. I could do that, she thought, so she dialed the phone number in the email.

    Mogul-Adlin recalled that the male voice on the other end sounded dazed, as if he had just woken up, even though it was around noon. He muttered something about texting him a picture. She sent him a photo, almost as an experiment to see what would happen.

    “You look good,” he replied. “Hopefully you can dance.”

    Since then, four other Yale females have joined the dance crew, taking two- or four-hour shifts once or twice a month. These art, anthropology and philosophy majors perform alongside other girls from state schools and Toad’s lead dancer.

    From the dance floor, the swinging go-go dancers don’t look like they have an ideal job: Amidst the pungent odor of sweat and stale beer, they shake their hips for hours at the intoxicated crowd of button-down boys and greasepaint girls.

    But for most of the dancers, there’s no other place they’d rather spend a Saturday night.

    “I’m proud of it,” Mogul-Adlin said.

    * * *

    Though their work may be exhausting, almost all the Yale Toad’s dancers come back for more.

    When Mogul-Adlin couldn’t dance one night, her suitemate Bree Thompson ’13 subbed in for her when no other dancer was available. Thompson has since stayed on the job.

    “I’m not going to lie. I tell everyone this: It’s the ideal Toad’s experience,” Thompson said. “You are just dancing.”

    Thompson explained that she enjoys sashaying across the stage without men thrusting their hips into her behind. Here, she can ditch the freshman-year circle of dance-floor protection.

    “You have your own space,” she said.

    For Thompson, dancing at Toad’s is like going to Yale parties, but better — no stressing about what to wear, whether to go home with someone or how much to drink. Other dancers enjoy their views of the social drama that unfolds below their platforms: the stumblers, the men chasing a pretty girl in high heels, the bloody fights and the Halloween hookups between SpongeBob SquarePants and a vampire.

    Toad’s latest hire, Meghan Uno ’13, also credits a chance entrance into the Toad’s dancer world. One night out, a friend introduced her to Toad’s manager, who invited her to dance. Uno has performed three times since then.

    “In the moment when you step on the stage, you’re alone, and you ask yourself, ‘What am I doing here?’” Uno described. “But then you start synchronizing your body with the music, and that all goes away.”

    Jaime (who requested that her last name be omitted) identified a similar feeling of transformation. Rounding out the Yale roster, she initially took the job this fall to try something different.

    Curious to find new opportunities, Jaime believed dancing at Toad’s would be a natural progression. The manager told her to come dance for an hour, but when no one told her to stop, she danced the whole night.

    Jaime said it was the most exhausting thing she has ever done, but she was able to stretch her boundaries as to how comfortable she is in certain situations. Like Uno, she recalled a sense of empowerment.

    “When I put on my orange bodysuit, it’s sort of like an alter ego,” Jaime said. “I pretended this is my superhero outfit. It’s me by day and this weirdo on Saturday night.”

    * * *

    As the novelty wears off, and their performances become jobs, these Yalies must face the reality of the reactions they receive as dancers.

    “On nights when it’s bad, it’s just not fun,” Jaime recalled.

    On a Saturday in November, Jaime took the platform for the Quinnipiac University alumni night. As she danced, a group of guys tauntingly threw dollar bills onto the stage — but Jaime said she felt highly uncomfortable with the implications.

    She wasn’t dancing to earn tips with a sleazy striptease. She was dancing for the new experience.

    Jaime slid the bills off the platform with her foot, but the guys kept throwing money at her. Upset, she crumpled the bills and threw them across the room. Finally, she took the money, put it into one man’s drink and threw it at him. The guys chucked ice cubes at her for the rest of the night.

    “I know you’re not supposed to do that,” she said. “If you’re a good dancer, you have to be patient. You have to be accepting of your situation and know that these people are drunk.”

    Jaime hasn’t danced since.

    But dancers who tolerate the debauchery — the “good dancers,” as Jaime described —  don’t do so easily.

    “I try to be nice,” Uno said, describing her resolve to not fight back. “You have to put on this front that is always positive and happy. The people who come up to me are just drunk and being friendly.”

    Thompson admitted that watching the reactions of the Toad’s-goers forced her to think beyond herself. At first, she thought dirty looks from the crowd were judgments about her dancing, but she has since realized that it probably was a part of their conversation with others. Or maybe, the grimace was from one-too-many tequila shots.

    Either way, Thompson knew she had to just let it slide.

    “[Dancing at Toad’s] is an exercise in not taking yourself too seriously,” she said.

    * * *

    But it’s more than just the club-goers’ reactions. The dancers also are aware that as go-go dancers, they face a certain level of scrutiny and judgment.

    Uno admits that the job is objectifying, but she doesn’t see that as a problem.

    The sex appeal the gig requires has given her confidence: the Meghan who dances in burlesque corsets and fishnet stockings is just as much part of her as the Meghan who photographs in the studio.

    “The job is about social confidence,” Uno explained. “It’s about not caring that people make certain assumptions about you, and not being apologetic for your personality.”

    Similarly, Mogul-Adlin said that she’s learned more about “sex-positive feminism” from go-go dancing at Toad’s than from any class at Yale.

    She described coming to understand her own queer identity and she plans to work as an advocate for the rights and health of those outside the gender or sexuality mainstream. In fact, she even wrote a paper for an anthropology class about social dynamics at Toad’s, storing a recorder and notebook in her boots while dancing.

    Uno also noted that the Toad’s job has reaffirmed a sex-positive ideology that she believes shouldn’t be looked down upon.

    “I’m sexually liberated and in full possession of that,” Uno said.

    For Mogul-Adlin, the empowerment extends to her perspective on Yale’s high-pressure culture and her perception of herself.

    “I really hate the culture at Yale of resume-building and ambition over substance,” Mogul-Adlin said. “I understand that for many jobs it is necessary to present a ‘clean’ image, and that any kind of deviance from what is arbitrarily deemed ‘professional’ is seem as a lack of seriousness or intellectualism.”

    She added that it was unfortunate that students are too caught up in their reputations to pursue anything deemed unacceptable by professional standards.

    “I think it’s so interesting that we’re so privileged as Yale students. Most of us are really free to be whatever we want to be, and yet so many of us chain ourselves to a life of ladder-climbing and dollar-chasing instead of just doing what we love,” Mogul-Adlin said.

    Though her and the other dancers’ moves may be the backdrop to an orgiastic imbibing, their performance holds a message. The Yale ladies at Toad’s reject the money-making desk job they detest, the social stigma, the sexual conservatism, the worry of a “reputation,” the constant “go, go, go” of campus life to quite simply, well, go-go dance.

    And when Mogul-Adlin heads back to her suite and changes out of her bedazzled bra, she does so certain that following her passions will empower her.

    “I dance at Toad’s not because I don’t care about my future, but because I want my future to be on my own terms.”

  6. Tee hee hee the News gets pranked

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    In an email to the campus community Saturday afternoon, a mysterious sender named “Yale Daily News” claimed that the News would begin charging for its content. The emailer also claimed that, starting Jan. 16, online readers would only have access to 10 articles per month until they needed to purchase a subscription, and that papers would no longer be stocked in Linsly-Chittenden and Commons.

    The email was false. While we are flattered by the attention and were briefly excited at the prospect of being paid for our work, our content is and always will be yours to enjoy, free of charge. Papers will be in Commons and Linsly-Chittenden Hall on Tuesday and there will be no digital paywall. Keep on reading, Yale. It’s on us.

  7. Sophomore proposes new gate near Toad’s

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    After 80 to 90 Quinnipiac University students were cited for public urination last fall, a Morse sophomore has proposed a new security gate between Toad’s Place and Mory’s to keep hooligans out.

    In a Saturday morning email to Morse and Stiles students, Alex Fisher ’14 put forward a proposal he said he submitted to the Yale College Council’s 10K Initiative that would allow for the installation of a swipecard-access gate on the path that leads from York Street to Morse and Stiles. The gate would be placed “near the rear boundary” of Toad’s, and would be activated between 10 p.m. and 6 a.m.

    “Students living in Morse and Stiles will be able to return to their colleges in a safer environment, and students living in other colleges will be able to visit friends in Morse and Stiles without having to navigate an unruly, drunken and aggressive crowd when they try to return home,” he wrote in his proposal to the YCC. “In short, this scheme would benefit any Yale student who values civility and personal safety.”

    The YCC’s 10K Initiative allots $10,000 of the student council’s budget to student plans to improve life on campus. Fisher said his plan could be implemented immediately with the cooperation of Yale Security and the Yale Police Department, and would likely cost about the same as other swipecard-access gates.

    Members of the 10K Initiative Exploratory Committee, comprised of YCC members and other students, will select five ideas from all those proposed and present them to the student body for a vote.

  8. Sprinkler pipe bursts at Toad’s; fight breaks out on York

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    A sprinkler pipe burst at Toad’s Place club early Tuesday morning, evacuating the club, and prompting a fight as a horde of Yale students spilled out onto York Street.

    Just after 1 a.m. one of the sprinkler pipes above the main dance floor fell into the crowd below, striking several people, five eyewitnesses told the News just outside of the Toad’s entrance. When the pipe became dislodged, the entire sprinkler system went off, flooding the room and sending an alert to the New Haven Fire Department, said Lieutenant Mark Vendetto, the commanding NHFD officer on the scene. Although Toad’s manager Ed Dingus confirmed that a pipe had burst, he refused to comment on whether anyone had been hurt by the falling bar.

    “I was just trying to dance and a bar fell on my head,” Jamie Biondi ’12 said, rubbing his head.

    Biondi told the News that he was not hurt — although another student asked firefighters to check him out — but he said the sprinkler pipe fell on several other people as well, so he did not know if there had been any injuries.

    Although Toad’s had evacuated before the fire department arrived on York Street, a fight broke out on the west side of the road due to the the large crowds. Police intervention was required to quell the clamor, New Haven Police Department Sergeant Chris Rubino said on the scene. Police only made one arrest during the fight, but commanded that the large crowd disperse: one officer on a megaphone demanded that pedestrians leave the sidewalk and others guided students away from the corner of York and Broadway.

    Once crowds dissipated, at least 10 members of Toad’s staff began pushing water from the flooded club out on to the street — by the time the sprinklers turned off, nearly an inch of water had pooled on the floor. As plastic cups and hoop earrings floated on the water pouring out of the club’s front door, Toad’s staff surveyed the damage.

    “Check out how wet it is,” one said, lifting up the wood flooring on the stage. “It’s completely saturated.”

    Vendetto said Toad’s was responsible for replacing their own sprinkler system, but that, as the commanding officer on the incident, he would be filing a formal complaint with the fire marshal about the broken pipe.

    Monday night’s Toad’s Place dance party was only open to Yale students and their guests, according to a Sunday promotional email from the club.