A House with Faulty Foundations
This January, TIME Magazine published “10 Reasons for Theater Lovers to Leave New York in 2014.” I was intrigued to see “The House That Will not Stand” by Marcus Gardley DRA ’04, now playing at the Yale Repertory Theater, prominently featured on this list. The play takes place in 1830s New Orleans, where obstinate free »
Black, White and Blue
Walk through the Sterling Memorabilia Room’s new collection of primary documents from the 1970 May Day Rally, and you’ll be transported from the small exhibition space to a more explosive time at Yale, when protests rocked the campus and violence threatened to erupt every day.
Between Real and Make-Believe
The bits of straw left uncovered by plaster and the bumps on the bronze render these figures unfamiliar, even while we recognize their shapes. Yet this strangeness lends more realism to the sculptures’ textures — moreso, even, than if they had been as smooth as the Greco-Roman busts that also populate the museum.
When Evil Pays
If you only watched the light-hearted beginning of “The Visit,” directed by Cole Lewis DR ’14, you would never guess how messed up everything becomes when the play hits its stride.
“Don Jon”: Porn in the morn (and afternoon, and night)
With all the news of former-Disney stars trying too hard to be shocking and tent-pole franchises becoming more bloated and more ridiculous with each new announcement, Joseph Gordon-Levitt’s feature-length directorial debut “Don Jon” is a bright spot in current American pop culture. He and his movie are more impressive within the context of his Hollywood career that began when he was just a child.
BLOGGING WHILE BLACK: No. They. Didn’t. (Again).
This is the first post in Patrice Bowman’s new WKND BLOG series “Blogging While Black,” which will feature Patrice’s reflections—from the wry to the optimistic—on the experience of being Black at Yale. I entered the Ezra Stiles dining hall and saw, to my lower left, a flyer advertising the annual “Black History Month Dinner.” »
Vibrators, laughs and the rest
Whenever I see people clad in stuffy, period costumes, I expect to see one of two scenarios: either one populated by neurotic characters with repression leaking out of their ears or one of those Oscar Wilde-esque works filled with irreverence towards morals and pun-ishing (sorry!) dialogue. The Dramat’s production of “In the Next Room or the vibrator play” by Sarah Ruhl is an entertaining and, somehow, emotionally sincere combination of both, although it comes across as too light.
OSCARS ALERT: WKND BLOG considers “Lincoln”
Lincoln and “Lincoln” by Scott Stern I was that guy — or, at least, I wanted to be. In the theater. After the movie. The one who walked out going, “They all looked so accurate. Especially Edwin Stanton! And Salmon P. Chase. And did you notice how Lincoln’s body was slanted at the very end? »
FILM DISPATCH: Heavy weather
And then a monsoon, an earthquake and a plague happen. Yet not a single catastrophe is named after a character from “Finding Nemo.”
Ain’t never gonna rain
What is “the river don’t flow by itself no more”? It consists of a continuous stream of stories from different people who — for better or for worse — interact with an unspecified part of the Mexican-American border.
A Christmas-y film review
Cinephiles place movies on that high pedestal we call Art. But some films utilize less highfalutin gimmicks to wrangle in more audience members.