Comedy, Tragedy and an Office
The small lobby of 70 Audubon Street holds a pair of elevators with mirrored doors. You use them to get to The Arts Council of Greater New Haven on the second floor, where you’ll find the Sumner McKnight Crosby Jr. Gallery. Inside — more an office than a typical, spare art space — people answer »
Yo-Yo Ma: Keeping Time and Losing It
About halfway through Tuesday’s concert in Woolsey Hall featuring cellist Yo-Yo Ma, the audience started to laugh. Ma, proper in an orange tie and round glasses, sat onstage with Aldo Parisot, a professor at the Yale School of Music and the university’s longest-serving faculty member.
Learning to Hate
You have your ticket. You have the t-shirt from your acceptance package. You secured a spot in a bound-to-be-uncomfortable carpool to Cambridge. You’re staying with “a great, responsible Harvard student, Mom.”
Don’t Sign on the Dotted Line
I remember kindergarten as a blurry collection of dotted lines. They sat between two solid ones on the soft, beige paper of handwriting worksheets, the kind that would disintegrate under too much pressure from an eraser. In class, we spent afternoons hanging letters on them as if on a clothesline. We wrote our names over and over, my papers reading “E-L-E-N-A” down the length of a page, shaky in dull graphite.
Seeing Ourselves in ‘Boyhood’
I went with my friend Gabe to a movie theater in New York City, and instantly I knew: I was part of an event. This was no fleeting Netflix stream—we were there to see, and to experience, “Boyhood,” the film about an American boy’s childhood and adolescence.