It’s not every day you see a black man in blackface painting his face white. Ja Shia’s “Pacific Overtures” is a scattered collage of enthusiastic […]
February 23, 2001
Only at the cabaret can psychopathic ranting furballs and sophomoric, lustful Klan members commune together to learn that “God is Jon Q. Fed up on […]
February 16, 2001
Milwaukee is often portrayed as a lifeless, lost city, and to a certain extent this description more accurately fits the play that carries the name. […]
When an actor once complained that the audience coughed through much of his performance, Laurence Olivier replied that a good actor captivates an audience so […]
Despite its ending, with 12 toasters and the guts of about six issues of The Yale Herald strewn about the stage, this weekend’s production of […]
Preposterous (and delightfully so). Much like Anna Nicole Smith’s pictorial in this month’s Playboy, Louis Cancelmi’s ’00 new play, “Meet Curtains,” sets this reviewer on […]
January 26, 2001
The set of “The Third Army” is harsh. Under the lights it is simple, dark and cold. But when the lights go down between scenes, […]
January 19, 2001
The staging of Mikhail Bulgakov’s novel “The Master and Margarita,” begun in 1928 but published only posthumously in 1966, is a demanding feat for a […]
Yale may have its very own cabaret, but this weekend it will be importing a “cabaret rowdy” — straight from Mexico — to liven up […]