Albers’ lithographs deck Whitney’s white walls
You walk through the entrance of the Whitney Humanities Center, you make a right into a virtually empty corridor, and you ask the friendly receptionist where the fine arts exhibit is taking place. “There,” she responds, gesturing across from her where the authentic pieces from Josef Albers’ “Interaction of Color” hang. Confused, you turn around only to see banal walls lined with moderate-sized lithographs, and manage to utter a surprised, “Oh.”
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